Theoretical studies of identity in the sacral architecture of Ukraine
dc.citation.epage | 68 | |
dc.citation.issue | 1 | |
dc.citation.journalTitle | Архітектурні дослідження | |
dc.citation.spage | 58 | |
dc.citation.volume | 10 | |
dc.contributor.affiliation | Національний університет “Львівська політехніка” | |
dc.contributor.affiliation | Західноукраїнський національний університет | |
dc.contributor.affiliation | Аграрний університет в Кракові | |
dc.contributor.affiliation | Lviv Polytechnic National University | |
dc.contributor.affiliation | West Ukrainian National University | |
dc.contributor.affiliation | University of Agriculture in Krakow | |
dc.contributor.author | Черкес, Богдан | |
dc.contributor.author | Дячок, Оксана | |
dc.contributor.author | Гернік, Юзеф | |
dc.contributor.author | Cherkes, Bohdan | |
dc.contributor.author | Diachok, Oksana | |
dc.contributor.author | Hernik, Józef | |
dc.coverage.placename | Львів | |
dc.coverage.placename | Lviv | |
dc.date.accessioned | 2025-05-14T07:15:36Z | |
dc.date.created | 2024-02-27 | |
dc.date.issued | 2024-02-27 | |
dc.description.abstract | Сучасна реконструкція центральних районів у містах та селах з історичним довкіллям викликає дискусії щодо питань охорони культурної спадщини. Пам’ятки архітектури є відображенням зміни ідейно-політичних трансформацій в суспільстві, а відношення до них є віддзеркаленням культури нації. Необхідність бережного ставлення до старовинних українських святинь як генетичної пам’яті нації, будівництво сучасних храмів, які матимуть риси нової української церкви стали ще більш значимими у часи російського вторгнення в Україну. Актуальність дослідження зумовлена загостренням суспільно-політичних і національно-культурних проблем та недостатнім висвітленням у наукових працях процесу творення та відображення ідентичності в українських храмах. Метою статті є дослідження процесу формування національної ідентичності та її візуалізації архітектурними засобами при створенні українських храмів. Для досягнення мети були використані такі методи дослідження: емпіричні (пошук літературних та архівних джерел, спостереження, порівняння та опис), теоретичні (порівняльний та композиційний аналіз, класифікація та узагальнення) та спеціальні методи дослідження (натурне обстеження храмів, їх фотофіксація, виявлення характерних особливостей та ознак, дослідження ретроспективного розвитку). Усе це дало змогу дослідити процес становлення та розвитку архітектури українських автентичних церков у хронологічній послідовності, показати процес створення нового українського сакрального стилю, який став прообразом творчих пошуків сучасних архітекторів. Автори зосередили увагу на ролі художньої та творчої еліти у створенні національної ідентичності; показали проблеми творення української ідентичності, пов’язаної з історичним минулим; проаналізували вплив соціальних та політичних факторів на українську сакральну архітектуру та можливість візуалізації за допомогою архітектури образу національної церкви; відзначили важливість образу української сакральної архітектури для підтвердження національної ідентичності. Проведені дослідження переконують у важливості збереження давніх українських храмів, які несуть генетичну пам’ять нації, доповнюють дані про формування сакральної архітектури, відкривають шлях для подальших наукових пошуків. Практична цінність наукової роботи полягає в тому, що отримані результати можуть бути використані архітекторами при проектуванні сучасних українських храмів, будуть корисні в музейній праці та в навчальній діяльності з підготовки фахівців архітектури та дизайну. | |
dc.description.abstract | Modern reconstruction of central districts in cities and villages with a historical environment raises discussions on the protection of cultural heritage. Architectural monuments are a reflection of changes in ideological and political transformations in society, and the attitude to them is a reflection of the culture of the nation. The need to protect the ancient Ukrainian holy places as the genetic memory of the nation, and to build modern churches that will have the features of the new Ukrainian church, became even more important in the times of the Russian invasion of Ukraine. The relevance of the study is conditioned by the aggravation of socio-political and national-cultural problems and insufficient coverage in studies of the process of creating and reflecting identity in Ukrainian churches. The purpose of the study was to investigate the process of shaping national identity and its visualisation by architectural means in the creation of Ukrainian churches. To achieve the goal, the following research methods were used: empirical (search for literary and archival sources, observation, comparison and description), theoretical (comparative and compositional analysis, classification and generalisation), and special research methods (full-scale survey of temples, their photo recording, identification of characteristic features and features, research of retrospective development). All this allowed investigating the process of development of the architecture of Ukrainian authentic churches in chronological order, to show the process of creating a new Ukrainian sacred style, which became the prototype of the creative search of modern architects. The researchers focused on the role of the artistic and creative elite in the creation of national identity; showed the problems of creating Ukrainian identity related to the historical past; analysed the influence of social and political factors on Ukrainian sacral architecture and the possibility of visualising the image of the national church through architecture; noted the importance of the image of Ukrainian sacral architecture for confirming national identity. The research demonstrates the importance of preserving ancient Ukrainian churches, which carry the genetic memory of the nation, supplement data on the development of sacral architecture, and open the way for further research. The practical significance of the study lies in the fact that the results obtained can be used by architects in the design of modern Ukrainian churches, will be useful in museum work and in educational activities for training architecture and design specialists. | |
dc.format.extent | 58-68 | |
dc.format.pages | 11 | |
dc.identifier.citation | Cherkes B. Theoretical studies of identity in the sacral architecture of Ukraine / Bohdan Cherkes, Oksana Diachok, Józef Hernik // Architectural Studies. — Lviv : Lviv Politechnic Publishing House, 2024. — Vol 10. — No 1. — P. 58–68. | |
dc.identifier.citationen | Cherkes B. Theoretical studies of identity in the sacral architecture of Ukraine / Bohdan Cherkes, Oksana Diachok, Józef Hernik // Architectural Studies. — Lviv : Lviv Politechnic Publishing House, 2024. — Vol 10. — No 1. — P. 58–68. | |
dc.identifier.doi | doi.org/10.56318/as/1.2024.58 | |
dc.identifier.uri | https://ena.lpnu.ua/handle/ntb/64565 | |
dc.language.iso | en | |
dc.publisher | Видавництво Львівської політехніки | |
dc.publisher | Lviv Politechnic Publishing House | |
dc.relation.ispartof | Архітектурні дослідження, 1 (10), 2024 | |
dc.relation.ispartof | Architectural Studies, 1 (10), 2024 | |
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dc.relation.referencesen | [2] Belogolovsky, V. (2022). Ukrainian architect Oleg Drozdov talks about building at the time of war. Retrieved from https://www.stirworld.com/think-columns-ukrainian-architect-oleg-drozdov-talks-about-building-at-the-time-of-war. | |
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dc.relation.referencesen | [4] Cherkes, B. (2008). National identity in the architecture of the city. Lviv: Lviv Polytechnic National University. | |
dc.relation.referencesen | [5] Cherkes, B., & Diachok, O. (2019). Problems of maintenance of sacral buildings on an example in small cities and villages of Western Podillya. Space & Form, 37, 9-16. doi: 10.21005/pif.2019.37.B-01. | |
dc.relation.referencesen | [6] Dahbour, O. (2002). National identity: An argument for the strict definition. Public Affairs Quarterly, 16(1), 17-37. | |
dc.relation.referencesen | [7] Delanty, G., & Jones, P.R. (2002). European identity and architecture. European Journal of Social Theory, 5(4), 453-466. doi: 10.1177/136843102760514009. | |
dc.relation.referencesen | [8] Diachok, O. (2018). Ternopil architects in the process of revival of sacral construction of Ukraine. Modern Problems of Architecture and Urban Planning, 51, 26-34. | |
dc.relation.referencesen | [9] Duda, I., & Pindus, B. (2005). Vasyl Stepanovych Nahirnyy. In Ternopil encyclopedic dictionary. Ternopil: Zbruch. | |
dc.relation.referencesen | [10] Habrel, M. (2003). The philosophical and ideological component in the architectural and spatial organization of regional systems. Bulletin of Lviv Polytechnic National University, 486, 292-301. | |
dc.relation.referencesen | [11] Hnatenko, P., & Pavlenko, V. (1999). Identity: Philosophical and psychological analysis. Kyiv: Art-Press. | |
dc.relation.referencesen | [12] Hnidets, R. (2004). Tradition of sacral architecture as a factor in the establishment of spirituality and faith. Bulletin of LSAU. Architecture and Agricultural Construction, 5, 199-208. | |
dc.relation.referencesen | [13] Hrytsiuk, L. (2004). Creative legacy of Evhen Nahirnyy and its importance for the development of Ukrainian architecture. (Doctoral dissertation, Lviv Polytechnic National University, Lviv, Ukraine). | |
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dc.relation.referencesen | [16] Kalach, V. (2011). Religious identity of Ukrainian citizens and sociocultural transformations. Bulletin of Taras Shevchenko National University of Kyiv, 15, 37-39. | |
dc.relation.referencesen | [17] Latief, J. (2018). How architecture shapes national identity and helps us understand history. Retrieved from https://www.designindaba.com/articles/creative-work/how-architecture-shapes-national-identity-and-helps-us-understand-history. | |
dc.relation.referencesen | [18] Lee, C.P. (2015). Training the party: Party adaptation and elite training in reform-era China. Cambridge, UK: Cambridge University Press. | |
dc.relation.referencesen | [19] Linda, S. (2003). The presence of history in the architecture of Soviet and Post-Soviet Ukraine. Bulletin of Lviv Polytechnic National University, 486, 147-158. | |
dc.relation.referencesen | [20] Linda, S., Milchevych, S., Motyl, R., Boiko, K., & Berezovetska, I. (2022). National representation through visual form: The phenomenon of national style in architecture. AIP Conference Proceedings, 2574, article number 140003. doi: 10.1063/5.0105610. | |
dc.relation.referencesen | [21] Liu, Q., & Turner, D. (2018) Identity and national identity. Educational Philosophy and Theory, 50(12), 1080-1088. doi: 10.1080/00131857.2018.1434076. | |
dc.relation.referencesen | [22] Marquard, O., & Stierle, K. (1979). Identity. Munich: Fink Verlag. | |
dc.relation.referencesen | [23] Merkatun, I. (1991). Anti-religious campaign of the 1950s and 1960s in Ukraine. Ukrainian Historical Journal, 10, 70-76. | |
dc.relation.referencesen | [24] Miroshnichenko, V. (2022). Development of the Ukrainian identity of border guards in the context of national security of the state. In Innovative scientific research in the field of pedagogy and psychology: Materials of the international scientific and practical conference (pp. 120-123). Zaporizhzhia: Classical Private University. | |
dc.relation.referencesen | [25] Miščević, N. (2022). Is national identity essential for the identity of persons? In Nationalism and beyond: Introducing moral debate about values (pp. 217-238). Budapest: Central European University Press. doi: 10.1515/9789633865286-015. | |
dc.relation.referencesen | [26] Novak, O. (2004). Church life in Western Ukraine and on the Right Bank in the second half of the 17th-18th centuries. History of Ukraine, 17, 13-15. | |
dc.relation.referencesen | [27] O’Neil, P.H., Fields, K., & Share, D. (2020). Cases and concepts in comparative politics. New York: W. W. Norton & Company. | |
dc.relation.referencesen | [28] Pandya, S. (2020). Architecture in national identities: A critical review. National Identities, 22(4), 381-393. doi: 10.1080/14608944.2020.1812825. | |
dc.relation.referencesen | [29] Pasichnyk, V. (2019). The national idea as a factor in the formation of the national identity of Ukraine. Efficiency of Public Administration, 60, 52-68. doi: 10.33990/2070-4011.60.2019.186745. | |
dc.relation.referencesen | [30] Perevezii, V. (1998). Educational activities of the Ukrainian Greek Catholic Church in the 20-30s of the 20th century. (Doctoral dissertation, National Pedagogical Dragomanov University, Kyiv, Ukraine). | |
dc.relation.referencesen | [31] Prokaieva, V. (2011). UNESCO’s role in preserving the cultural heritage of humanity. Scientific Bulletin of the Diplomatic Academy of Ukraine, 17, 82-88. | |
dc.relation.referencesen | [32] Prybeha, L. (2023). Historic residential building of the centre of Kyiv second half 19th-early 20th centuries in the monument preservation dimension. Collection of Scholarly Works "Ukrainian Academy of Art", 33, 50-59. doi: 10.32782/2411-3034-2023-33-6. | |
dc.relation.referencesen | [33] Punda, I. (2017). Wooden Churches of Western Ukraine. Retrieved from http://decerkva.org.ua/ter/pidhaitsi.html. | |
dc.relation.referencesen | [34] Rahmat, M.H., & Ismail, A.S. (2022). Review on national identity in architecture through the understanding of its roles, typologies and themes. International Journal of Law, Government and Communication, 7(27), 1-12. doi: 10.35631/IJLGC.727001. | |
dc.relation.referencesen | [35] Serhiichuk, V. (2001). The unconquered church: The heroism of the Greek Catholics of Ukraine in the struggle for faith and state. Kyiv: Dnipro. | |
dc.relation.referencesen | [36] Shevtsova, H. (2019). The genesis of the Ukrainian wooden church: World context and uniqueness. Kharkiv, Kyiv: Publisher Oleksandr Savchuk. | |
dc.relation.referencesen | [37] Shevtsova, H., & Ponomarenko, H. (2020). Romantic works of wooden sacred architecture of architect Oleg Sleptsov: world and national ideas of form creation. KNUBA Architectural Bulletin, 20-21, 73-104. doi: 10.32347/2519-8661.2019.20.73-106. | |
dc.relation.referencesen | [38] Sistac, E. (2022). Photo essay: National identity expressed in architecture. Retrieved from https://identityhunters.org/2022/02/04/photo-essay-national-identity-expressed-in-architecture/. | |
dc.relation.referencesen | [39] Skotte, H. (2010). The state of identity in contemporary architecture. Retrieved from https://www.architecturenorway.no/questions/identity/skotte-identity/. | |
dc.relation.referencesen | [40] Sladky, D. (2008). National identity as a factor of national and international security. Political Management, 2(29), 110-119. | |
dc.relation.referencesen | [41] Slobodian, V. (1996). Catalog of existing wooden churches of Ukraine and Ukrainian ethnic lands. Bulletin of the Institute "Ukrzakhidproekrestavratsiya", 4, 74-159. | |
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dc.rights.holder | © Національний університет “Львівська політехніка”, 2024 | |
dc.subject | автентичність | |
dc.subject | українські храми | |
dc.subject | об’ємно-просторова композиція | |
dc.subject | культурна спадщина | |
dc.subject | українська нація | |
dc.subject | authenticity | |
dc.subject | Ukrainian churches | |
dc.subject | spatial composition | |
dc.subject | cultural heritage | |
dc.subject | Ukrainian nation | |
dc.subject.udc | 726 | |
dc.title | Theoretical studies of identity in the sacral architecture of Ukraine | |
dc.title.alternative | Теоретичні дослідження ідентичності в сакральній архітектурі України | |
dc.type | Article |
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