Historical And Cultural Studies. – 2016. – Vol. 3, No. 1
Permanent URI for this collectionhttps://ena.lpnu.ua/handle/ntb/41324
Науковий журнал
Historical and Cultural Studies = Історико-культурні студії : [науковий журнал] / Lviv Polytechnic National University ; [editor-in-chief S. Pavlyuk]. – Lviv : Lviv Politechnic Publishing House, 2016. – Volume 3, number 1. – 141 p.
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Item Музеї ХХІ століття в умовах глобалізації: нові смисли, виклики та тенденції(Lviv Polytechnic Publishing House, 2016) Панас, Н. Б.; Національний університет “Львівська політехніка”Визначено сучасну парадигму розвитку музеїв як основних презентаторів історико-культурної спадщини, наведено провідні тенденції в середовищі європейських музеїв, окреслено основні проблеми щодо інтерпретації фондів музеїв. Велику увагу звернено на аналіз негативних тенденцій у розвитку культурного сектору. Розглянуто роль музею як ефективного інструменту для формування іміджу “відкритого суспільства”, його здатності до інтеграції громадськості до інтелектуального європейського і світового співтовариства. Modern museum environment intensively passes the process of transformation in the context of global geopolitical, economic, social and cultural changes. It is impossible to forget that exactly museums are for today that perform the duty of forming of historical memory of the Ukrainian people and identities, promotes self-actualization of nation. Museum is now regarded not only as a storage center of cultural heritage and cultural values. Accordingly, the museum collections serve as an attractive resource for historical and cultural, social and economic environment. Traditional for museums educational activity changes its shape and scale, active recreational function of the museum is examined. The question of how the audience perceives the museum as a whole, as well as various types of displays and forms of cultural and educational activities that expectations of museums in society is actualizes. We can see changing the role of the museums in contemporary society, including in matters of education of patriotism, tolerance and overcoming cultural, ethnic fragmentation, as each of us can contribute to this area and had a positive effect on this interaction. The purpose of this article is to define modern paradigm for the development of museums as main presenters of historical and cultural heritage, to review leading trends in European museums and to identify the main problems of museums collections interpretation. Great attention is paid to the analysis of negative tendencies in the development of cultural industry, dictated by the imperatives of market relations – the imposition of consumer’s culture on exhibits presentation, the necessary of adaptation the collection and its interpretation in accordance with the ”primitive tastes” of the visitors. The role of the museum as an effective tool for formation openness of the society, its ability to integrate public to intellectual European and world community is also reviewed. Main results obtained through usage of intermediate and empirical levels of knowledge by application methods of observation, analysis, comparison, modeling of researched sources and simulation processed sources. This set of methods ensured the validity of results.Item Культурно-мистецькі заклади Львова наприкінці XVIII–XIX століть та їхній вплив на розвиток міста(Lviv Polytechnic Publishing House, 2016) Божко, Н. М.; Цубов, Л. В.; Національний університет “Львівська політехніка”Проаналізовано діяльність культурно-мистецьких установ Львова, що з’явилися наприкінці XVIII і XIX століть та їхній вплив на соціально-економічний розвиток міста. Lviv has never been a large manufacturing center with the huge enterprises, factories, and integrated producers. This city has never been related to the populous cities of Ukraine. The success of this city is in a beneficial geopolitical position, an attractive investment climate, a great amount of academic and cultural institutions and the most important is a high qualification of the staff that lives there. The aim of this article is an effort to analyze the development of cultural and art institutions of Lviv at the end of XVIII during XIX centuries, their appearance, functioning and the influence on economic and social development of the urban infrastructure. In 1772, as a result of the first division of Poland, Galicia became a part of Austro-Hungarian Empire. In the ХІХ of September 1772 Hungarian troops penetrated into Lviv, which became an administrative centre of newly created Hungarian province – “The Kingdom of Hungary and Lodomeria”. At the end of 18th century Lviv was a provincial city where the first manufactures just began to appear. The main kinds of production in the city still remained a trade and raw material manufacturer. A deficiency of large and medium enterprises in the city caused that just 30.8% of active population were engaged in an industrial production. The most of Lviv population, it was 25 thousand in 1772, consisted of employees, renters, servants and freelance job’s people. It was situation in which Lviv still remained in a role of back country empire. As late as in 30s of XIX century, the population of Lviv increased in two times. The city became more attractive and more comfortable to live in. From that time, in Lviv were living many officials, merchants, doctors, lawyers, students, artists, litterateurs and other representatives of freelance jobs, who weren’t just the citizens – they became creators of the city. In the 90s mostly multi-storey habitable buildings and numerous administrative, cultural and art purpose buildings were built. Lviv became attractive for people of broad professions and rich representatives of region’s population. Art associations, societies, museums were organized in the city. Archives and literary private collections were set and then given to public organizations. All that enriched Lviv’s cultural life influenced the development of the multinational city and formed its identity.