Обґрунтування сучасних моделей та систем підтримки організаційної творчості

dc.citation.epage112
dc.citation.issue3
dc.citation.journalTitleВісник Національного університету “Львівська політехніка”. Серія: Проблеми економіки та управління
dc.citation.spage99
dc.contributor.affiliationНаціональний університет “Львівська політехніка”
dc.contributor.affiliationLviv Polytechnic National University
dc.contributor.authorЛісовська, Л. С.
dc.contributor.authorТеребух, А. А.
dc.contributor.authorГацук, М. М.
dc.contributor.authorLisovska, L.
dc.contributor.authorTerebukh, A.
dc.contributor.authorHatsuk, M.
dc.coverage.placenameЛьвів
dc.date.accessioned2020-03-04T09:13:32Z
dc.date.available2020-03-04T09:13:32Z
dc.date.created2019-02-26
dc.date.issued2019-02-26
dc.description.abstractАвтори виокремили та обґрунтували шість моделей розуміння креативності та творчого процесу. Використання цих сучасних та загальноприйнятих моделей дає змогу пояснити феномен “креативності” різними компонентами, стадіями або фазами. Особливої уваги автори надали вивченню та проведенню характеристики процесу організаційної творчості на прикладі модифікованої моделі Уолласа, зокрема деталізовано компоненти формування етапів та фактори впливу на різних етапах. На підставі аналізування наукових джерел автори сформували узагальнену модель творчого процесу, визначили завдання кожного етапу організаційної творчості та силу та напрям дії факторів зовнішнього середовища. У статті проведено економічне обґрунтування доцільності впровадження Системи підтримки організаційної творчості на прикладі вітчизняної організації ТОВ “Енерготехпром”. Для розробки системи управління знаннями на підприємстві були визначені основні технічні вимоги до системи, на основі розробленої схеми була визначена приблизна вартість розробки та утримання даної системи (за умови аутсорсингу). Розрахунок ефективності впровадження цього інноваційного проекту був здійснений відповідно до міжнародних стандартів та підтвердив доцільність реалізації проекту.
dc.description.abstractThe authors identified and substantiated six models of understanding creativity and the creative process. Usage of these modern and generally accepted models can explain the phenomenon of “creativity” by various components, stages or phases. The authors paid particular attention to studying and conducting the characteristics of the process of organizational creativity on the example of the modified Wallace model. In particular, the components of the formation of stages and factors of influence at different stages were elaborated. Based on the analysis of scientific sources, the authors formulated a generalized model of the creative process, identified the tasks of each stage and the strength and direction of the environmental factors. This model can be used to further identify the factors of influence, both internal and external, on organizational creativity at different stages of the creative process. To facilitate the creation and development of organizational creativity, authors suggest using an intelligent system with a temporary knowledge base. Such systems not only contain the actual base, the basis of rules and the mechanism of conclusions but also directly solve issues related to the time frame. In practice, they are called creativity support systems, and they unite various types of information systems to improve creativity. Creativity support systems can be used to enhance the user’s ability to perform creative tasks (the ability that the user owns), to support users in the field of acquiring knowledge, and to provide users with a new experience of creative tasks, which gives them new abilities. There are two types of creative support systems: individual creativity support systems and group creative support systems. The authors substantiate the expediency of creating and using the complex type of systems of support for creativity called “System of support of organizational creativity”. The system of support for organizational creativity opens a new form of creative support. Unlike previous types of systems, such a system allows to increase the competitive advantages of an organization and its productivity by offering quick access to various, heterogeneous, branched out information resources, analyzing them, visualizing them and offering recommendations for creating new useful ideas. The article provides an economic justification for the feasibility of introducing a system of support for organizational creativity on the example of the domestic organization of LLC Energotekhprom. The primary technical requirements for the system were determined to develop a knowledge management system at the enterprise. Based on the developed scheme, the approximate cost of developing and maintaining this system (subject to outsourcing) was determined. The calculation of the effectiveness of the implementation of this innovation project was carried out following international standards and confirmed the feasibility of the project.
dc.format.extent99-112
dc.format.pages14
dc.identifier.citationЛісовська Л. С. Обґрунтування сучасних моделей та систем підтримки організаційної творчості / Л. С. Лісовська, А. А. Теребух, М. М. Гацук // Вісник Національного університету “Львівська політехніка”. Серія: Проблеми економіки та управління. — Львів : Видавництво Львівської політехніки, 2019. — № 3. — С. 99–112.
dc.identifier.citationenLisovska L. Grounds of modern models and systems of organizational creativity support / L. Lisovska, A. Terebukh, M. Hatsuk // Visnyk Natsionalnoho universytetu "Lvivska politekhnika". Serie: Problemy ekonomiky ta upravlinnia. — Vydavnytstvo Lvivskoi politekhniky, 2019. — No 3. — P. 99–112.
dc.identifier.urihttps://ena.lpnu.ua/handle/ntb/46588
dc.language.isouk
dc.publisherВидавництво Львівської політехніки
dc.relation.ispartofВісник Національного університету “Львівська політехніка”. Серія: Проблеми економіки та управління, 3, 2019
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dc.relation.referencesen1. Van Gundy A. (1987) Organizational creativity and innovation, Frontiers of Creativity Research, Bearly, Buffalo, NY.
dc.relation.referencesen2. Klijn M., Tomic W. A review of creativity within organizations from a psychological perspective, J. Manag. Dev. 29. 322–343.
dc.relation.referencesen3. Choi W., Madjar N., Yun Y. (2010) Perceived organizational support, goal orientation,exchange ideology and creativity, Proceedings of Academy of Management, Montreal.
dc.relation.referencesen4. Shin S. J., Zhou J., (2007). When is educational specialization heterogeneity related to creativity in research and development teams? Transformational leadership asmoderator, J. Appl. Psychol. 92, 1709–1721.
dc.relation.referencesen5. Blomberg, (2014) Organizational creativity diluted: a critical appraisal of discursivepractices in academic research, J. Organ. Change Manag. 27 (6), 935–954.
dc.relation.referencesen6. Amabile T. M. (1988). A model of creativity and innovation in organizations, Research in Organizational Behavior, Vol. 10, pp. 123–167.
dc.relation.referencesen7. Steiger D. M., (2010) Decision support as knowledge creation. A business intelligence design theory, Int. J. Bus. Intell. Res. 1 (1), pp. 29–47.
dc.relation.referencesen8. Houghton J. D., DiLiello T. C., (2010) Leadership development: the key to unlocking individual creativity in organizations, Leadersh. Organ. Dev. J. 11 pp. 230–245.
dc.relation.referencesen9. Brennan L. Dooley, (2005) Networked creativity: a structured management frameworkfor stimulating innovation, Technovation 25 (12), 1388–1399.
dc.relation.referencesen10. Dougherty D., & Hardy B. F. (1996) Sustained innovation production in large mature organizations: Overcomingorganization problems, Academy of Management Journal, 39, pp. 826–851.
dc.relation.referencesen11. Drazin R., Glynn M. A., & Karanjian R. K. (1999) Multilevel theorizing about creativity in organizations: A sensemaking perspective, Academy of Management Review, 24, pp. 286–307.
dc.relation.referencesen12. Eisenberger R., & Armeli S. (1997) Can salient reward increase creative performance without reducing intrinsiccreative interest?, Journal of Personality and Social Psychology, 72, pp. 652–663.
dc.relation.referencesen13. Ekvall, G. (1997) Organizational conditions and levels of creativity, Creativity and Innovation Management, 6, pp. 195–205.
dc.relation.referencesen14. Cameron M. F.& Dennis A. G. (2000) Factors influencing creativity in the domain of managerial decision making, Journal of Management, Vol.26, No.4, pp. 705–732.
dc.relation.referencesen15. Flynn M., Dooley L., Osullivan D. & Cormican K. (2003) Idea management for organizational innovation,International Journal of Innovation Management, Vol. 7, No. 4, pp. 417–442.
dc.relation.referencesen16. Ford C. M. (1996) A theory of individual creative action in multiple social domains, Academy of ManagementReview, 21, pp. 1112–1142.
dc.relation.referencesen17. Davenport T., De Long D. W. & Beers M. C. (1998) Successful knowledge management projects, Sloan ManagementReview, Vol. 39, No.2., pp. 50–58.
dc.relation.referencesen18. Cummings, A. & Oldham, G. R. (1997) Enhancing creativity: Managing work contexts for the high potentialemployee. California Management Review, 40, pp. 22–38.
dc.relation.referencesen19. Gerald F. S. (1998) Idea generation techniques: A formulary of active ingredients, Journal of Creative Behavior, Vol. 32, No. 2, pp. 108–133.
dc.relation.referencesen20. Gruber H. E. & Davis S. N. (1988) Inching our way up Mount Olympus: The evolving-systems approach to creativethinking, The Nature of Creativity, Contemporary Psychological Perspectives, pp. 243–270.
dc.relation.referencesen21. McLean J. A., Place for creativity in management, Br. J. Adm. Manag. (Autumn) (2009) 30–31.
dc.relation.referencesen22. Sirmon D. G., Hitt M. A., Ireland R. D., Gilbert B. A., Resource orchestration to create competitive advantage: breadth, depth, and life cycle effects, J. Manag (2011), 37, 1390–1412.
dc.relation.referencesen23. Arora A. Nandkumar, (2012) Insecure advantage? Markets for technology and the valueof resources for entrepreneurial ventures, Strateg. Manag. J. 33, 231–251.
dc.relation.referencesen24. Zahra S. A., Sapienza H. J., Davidsson P., (2006) Entrepreneurship and dynamic capabilities: a review, model, and research agenda, J. Manag. Stud. 43, 917–955.
dc.relation.referencesen25. Cooper R. B. (2000) Information technology development creativity: a case study of attempted radical change, MIS Q. 24 (2), pp. 245–276.
dc.relation.referencesen26. Nonaka H. Takeuchi, (1995) The KnowledgeCreating Company, Oxford UniversityPress, Oxford.
dc.relation.referencesen27. Elsbach K. D., Hargadon A. B., (2006) Enhancing creativity through «mindless» work: a framework of work day design, Organ. Sci. 17, 470–483.
dc.relation.referencesen28. Houghton J. D., DiLiello T. C., (2010) Leadership development: the key to unlocking individual creativity in organizations, Leadersh. Organ. Dev. J. 11, pp. 230–245.
dc.relation.referencesen29. Amabile T. M., (1983) The Social Psychology of Creativity, Springer-Verlag, New York.
dc.relation.referencesen30. Shneiderman (2007) Creativity support tools: accelerating discovery and innovation,Commun. ACM 50 (12), pp. 20–32.
dc.relation.referencesen31. Voigt M., Bergener K. (2013) Enhancing creativity in groups – proposition of andintegrated framework for designing group creativity support systems, Proceedingsof 46th Hawaii International Conference on System Sciences, IEEE ComputerSociety, pp. 225–234.
dc.relation.referencesen32. Nakakoji K. (2006) Meanings of tools, support, and uses for creative design processes, International Design Research Symposium’06, Seoul, CREDITS Research Center, pp. 156–165.
dc.relation.referencesen33. Muller S. D., Ulrich F. (2013) Creativity and information systems in a hypercompetitive environment: a literature review, Commun. Assoc. Inf. Syst. 32 (1), 175–201.
dc.relation.referencesen34. S. Greene (2002) Characteristics of applications that support creativity, Commun. ACM 45(10), pp. 100–104.
dc.relation.referencesen35. Woodman R. W., Sawyer J. E., Griffin R. W., (1993) Toward a theory of organizational creativity, Acad. Manag. Rev. 18 (2), pp. 276–293.
dc.relation.referencesen36. T. Dewett, (2003) Understanding the relationship between information technology andcreativity in organizations, Creat. Res. J. 15 (2–3), 167–182.
dc.relation.referencesen37. Davies N., Zook A., O’Neill B., Headrick B., Riedl M., Grosz A., Nitsche M. (2013) Creativity support for novice digital filmmaking, Proceedings of the SIGCHIConference 2013, Paris, France, ACM, New York, pp. 651–660.
dc.relation.referencesen38. Ortbach K., Plattfaut R., Popelbuss J., Niehaves B., (2012) A dynamic capability-based framework for business process management: theorizing and empirical application, Proceedings of 45th Hawaii International Conference on System Sciences, IEEE Computer Society, pp. 4287–4296.
dc.rights.holder© Національний університет “Львівська політехніка”, 2019
dc.rights.holder© Лісовська Л. С., Теребух А. А., Гацук М. М., 2019
dc.subjectорганізаційна творчість
dc.subjectсистеми підтримки творчості
dc.subjectмоделі творчого процесу
dc.subjectСистеми підтримки організаційної творчості
dc.subjectкреативна підтримка
dc.subjectorganizational creativity
dc.subjectsystems of support of creativity
dc.subjectmodels of creative process
dc.subjectsystems of support of organizational creativity
dc.subjectcreative support
dc.subject.udc331.108
dc.subject.udc26
dc.titleОбґрунтування сучасних моделей та систем підтримки організаційної творчості
dc.title.alternativeGrounds of modern models and systems of organizational creativity support
dc.typeArticle

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